Originally released in conjunction with Everyone Else Has a Record Label, So Why Can't I?, GLAC-18 was produced entirely with gear that I had either built, repaired or modified. Sessions started in the summer of 2008, in part while I was attending fluxmonkey's Electronoize Playshop. The primary instrument used in most of the album was my MFOS Sound Lab, which I had completed that summer.
Recording was done entirely on my Yamaha MT-50 4-track, which I had repaired several years ago (a jumper had rusted through). The other piece of repaired gear used was my venerable Realistic MG-1 (broken resonance slider was replaced).
This new digital edition has extended versions of several tracks (which actually works out to more material than the cassette), including the full 22-minute version of Signal Intercept.
released August 7, 2009
Sam Harmon - Synths, noisemakers, circuit-bent Tibetan Buddhist Jukebox
Original cassette produced in conjunction with Everyone Else Has a Record Label, So Why Can't I? (thursday-club.net)